Buenos Aires, 2019. A museum security guard foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.
What’s the nature of the special bond that links together the members of a family? Families share flats, secrets and memories and know each other inside out. They don’t mince their words or always treat each other with respect but they’re still there for one another. They’re at each other's mercy. The same applies to Margarita's family. She lives with her son Axel and his older...
17岁的Lucas和20岁的Gilda一同前往阿根廷的一个滨海小镇,为不久前去世的母亲完成遗愿:把她的骨灰撒在海洋中。可惜他们手上仅有的“骨灰”是妈妈的义肢。两人把假手丢进海里时,Gilda说:“只要能摆脱它,意思都一样。”真是一点也没错。姐弟两人准备回家时,发现全国巴士大罢工,他们受困了。Lucas沉迷于健身和近身格斗,他发现这个近乎荒芜的小镇竟给了他探索性向和身体极限的大好机会。Gilda不久前才待过勒戒中心,仍深受影响,她很在意自己的“负能量”,在这里尝试了各种疗法和占卜方法,希望在这个世界上找到某种意义。两人卡在各自的课题,学习正视母亲自杀所留下的空缺,在面对生命、死亡、健康模糊地带的同时,挥别青春期。
要讲述了现在是布宜诺斯艾利斯炎热空旷的夏天。玛塞拉的妹妹去世后,她的世界受到了震动,让她完全不舒服。她仍然很伤心,必须收拾她的公寓。她的女儿的一个年轻朋友,纳乔,出现在现场,渴望帮助,这导致了共同的道路旅行和冒险。在这些令人困惑的日子里,来自另一个时代的人和对话会相互交织,引发问题,而日常生活的紧迫感也会逼近她。
The beguiling third feature from Argentine writer-director Gastón Solnicki (Papirosen) takes inspiration from Béla Bartók’s opera Bluebeard’s Castle for this charming tale about several young women attempting to make their way into adulthood.